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An art blog by Jon Coffelt on The Whole 9

Jon Coffelt, highly acclaimed artist, activist and curator, is a former gallery owner living and working in Manhattan. Coffelt decided to keep his distinctive Southern drawl.

“It’s Back To The Basics, Babe!”

How many artists do you know who dont know how to draw? How many curators do you know who dont know how to draw one bit. I have noted this over and over and most recently this has become problematic. I have actually heard artists say, “I don’t do faces well or I don’t do hands well so I just work around them in my work.” What? Whaaa? What are you talking about? If you cant draw something then please don’t fudge it. It is quite apparent to a seasoned viewer I assure you. Your work suffers and on an unconscious level even the unseasoned can tell if you have a deficit in the drawing department. The Emperor surely has no clothes.

This is a good time to get back to basics. Just pick up a pencil and paper and do it. Practice makes perfect they say. Too many art schools let students off without even a rudimentary understanding of drawing and  we see effects this outcome. Some schools don’t care if their students can actually draw or not. This has become one of the biggest problems in art, especially given the fact that so many artists are now curators. While feelings, flair, flow and ideas are all well and good, think about what that same work would be if the artist or curator knew personally the realization of drawing. You can do contour drawings on your own or even join a figure drawing class of some sort. These classes are most everywhere if you just look around. If you can’t afford a figure drawing class get a group of interested artists and let a different person pose each week. Everyone wins. You will find that the practice of drawing is not only liberating but confidence building. I have known video artists, sculptors, ceramacists and others say that after they learned to draw it opened their eyes to expanded ideas of contour, symmetry, spacial arrangements, etc; Drawing helps you go within and that is not such a horrible place to be these days especially if you are willing to trust yourself. As an artist, you owe yourself this much.

  1. Just coming through my personal email.

    How many hot-shot curators just don’t know how to curate?
    How many curators do you know who don’t know how to CURATE.
    and
    Knowing how to draw doesn’t necessarily mean knowing how to draw a certain way.

  2. From the “walk a mile in your shoes” department, a good leader should never ask a follower to do something that the leader hasn’t or can’t do him/herself to some degree.

  3. Knowing how to draw doesn’t necessarily mean knowing how to draw a certain way. There is not “a way” to draw. Artists and curators who don’t know that are producing predetermined product in some way they were trained to do, like lawyers. Being an artist having become a middle-class career people want to buy certification as artist, and exclude people from the competition for jobs and collectors’ money on the basis of that. Which doesn’t mean that they might not produce something interesting. Even ambitious and avaricious people can produce interesting art, despite being trained avaricious and ambitious people aspiring to whatever it is they aspire to. What they produce can have value as demonstrating something about that group they belong to, the group that has destroyed the economy ,threatened constitutional government and and made the arts a place for the invention of new commodities and new markets, new kinds of celebrity… like termites going through a house…

    having written that, I can see that it’s a little extreme, there’s nothing wrong with people taking art classes…

  4. I know having certification to be what some consider an artist makes the individual no more of an artist than when they started out. There are those artists who feel this heightens or advances their careers and underscores other artists that may not have a degree. Many “certified” artists have to unlearn what they learned so they can follow their predetermined true nature as an artist. The true artist will further explore and examine the world around them with or without a school setting. Our world is filled with extreme commodification and certification to the point where anything deemed art is questionable nowadays and can have less meaning as such. In my own practice, art classes are more about being in community and learning from other artists constructs than about commodification or certification.

  5. You’ve struck a chord with me. I agree wholeheartedlly with your blog on mastering drawing. Being a draughtsman myself, I can’t think of anything more important to an artist than a working knowledge of basic drawing. Mastering basic drawing gives one the understanding of how all things are constructed and that skill can go a very long way

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